A collection of essays that reveals the reality of war behind the pageantry of the American Civil War

“In our youth, our hearts were touched with fire,” wrote Oliver Wendell Holmes of his generation’s Civil War days. Through the ages, war stories have gleamed with romantic glory, and American memories of the cataclysmic Civil War inspire pageantry and poetry even today.

The essays in Battle form a corrective to such celebratory histories by examining the lethal realities of Civil War combat—Enlightenment science applied to the creation of weapons that maimed and killed, which far outpaced advances in diet, sanitation, and medical treatment. The book reveals that behind the drums and trumpets, sashes and swords, the armies of the Union and Confederacy alike were haunted by fear, pain, and death.

The collection includes an introduction and afterword by editor Kent Gramm, who also contributes an essay titled “Numbers” that reveals the war in statistics. Paul Fussell contributes a powerful essay titled “The Culture of War.” D. Scott Hartwig examines the face of battle at Gettysburg. Bruce A. Evans discusses medical technology in “Wounds, Death, and Medical Care in the Civil War.” Eric T. Dean challenges the meanings and consequences of combat in “The Awful Shock and Rage of Battle.” The collection is rounded out by Alan T. Nolan’s masterful review of the national consequences of battle and the resultant myth of the Confederacy’s Lost Cause.

In Gettysburg: The Living and the Dead, writer Kent Gramm and photographer Chris Heisey tell the famous battle’s story through the eyes of those who lived and died there. Unlike histories that simply recount the three furious days in July 1863, this book transports readers onto the battlefield and into the event’s historical echoes, making for a delightful, immersive experience.
 
Creative nonfiction, fiction, dramatic dialogue, and poetry combine with full-color photographs to convey the essential reality of the famous battlefield as a place both terrible and beautiful. The living and the dead contained here include Confederates and Yankees, soldiers and civilians, male and female, young and old. Visitors to the battlefield after 1863, both well known and obscure, provide the voices of the living. They include a female admiral in the U.S. Navy and a man from rural Virginia who visits the battlefield as a way of working through the death of his son in Iraq. The ghostly voices of the dead include actual participants in the battle, like a fiery colonel and a girl in Confederate uniform, as well as their representatives, such as a grieving widow who has come to seek her husband.   
 
Utilizing light as a central motif and fourscore and seven voices to evoke how Gettysburg continues to draw visitors and resound throughout history, alternately wounding and stitching the lives it touches, Gramm’s words and Heisey’s photographs meld for a historical experience unlike any other. Gettysburg: The Living and the Dead offers a panoramic view wherein the battle and battlefield of Gettysburg are seen through the eyes of those who lived through it and died on it as well as those who have sought meaning at the site ever since.